Ayckbourn Chronology: 2020

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Notable Events

During 2020, Alan Ayckbourn…

premiered his latest play, Anno Domino, as an audio stream due to the Covid-19 theatre lockdown…

… and returned to professional acting for the first time since 1964 playing all the roles, opposite Heather Stoney, in Anno Domino; the first play he has written, directed and performed in.

saw the 2001 TV recording of his and Andrew Lloyd Webber's musical By Jeeves live-streamed as part of Lloyd Webber's The Shows Must Go On! initiative on Youtube.

had the planned productions of his plays Truth Will Out and Just Between Ourselves at the Stephen Joseph Theatre, Scarborough, cancelled due to the Covid-19 pandemic.

saw Samuel French publish the plays Better Off Dead, No Knowing and Consuming Passions.

saw his and Andrew Lloyd Webber's musical By Jeeves live-streamed as part of The Shows Must Go On! initiative during the Covid-19 lockdown.

marked the 60th anniversary of his third play Dad's Tale and the 50th anniversary of Family Circles.

saw his home theatre - the Stephen Joseph Theatre, Scarborough - and all UK theatres close during March as a result of the Covid-19 pandemic.

recorded his 1994 play Haunting Julia as an audio play for streaming by the Stephen Joseph Theatre during December 2020, both directing and performing all the male roles.

World Premieres

Anno Domino
25 May: Stephen Joseph Theatre (audio stream)

Notable Ayckbourn Productions

Relatively Speaking (Revival)
27 February: The Mill at Sonning
Ten Times Table (UK Tour)
(Classic Comedy Company)
Absurd Person Singular (UK Tour)
(London Classic Theatre)

Plays In Other Media

By Jeeves
Live-stream: 8 May, Youtube
Anno Domino
Audio-stream: 25 May, SJT website
Haunting Julia
Audio-stream: 1 December, SJT website
Stacks Image 95

Alan Ayckbourn & wife, Heather Stoney
Copyright: Tony Bartholomew

Quotes

Note: 2020 was an extraordinary year during which the Covid-19 pandemic closed every theatre in the UK from mid-March. As a result, all the quotes on this page from March onwards should be viewed in light of the global situation and the fact that the future of the performing arts looked extremely bleak.

"We are in a world where everything is, in a good way, connected but also, in a bad way, also all connected. Just as the tree has all its many branches, it only takes one person to shake it and the whole damned apple crop drops to the ground."
(Interview with Simon Murgatroyd, 25 February 2020)

"Do you need to say #bekind? Isn’t it natural to consider other people? I think it’s like someone’s gone around to every house in the country - in the world - and handed people a loud hailer and said, ‘there you are, you can be heard all over the place now’ and you go, ‘that’s great, everybody can be heard.’ But, if we are honest, there are a lot of people who shouldn’t be heard - quite frankly - and that, in itself, is a terrible thing to say."
(Interview with Simon Murgatroyd, 25 February 2020)

"Politicians, by their behaviour and their flexibility with the truth, shall we say - be it Donald Trump or Boris Johnson - have lost the trust of quite a lot of people. The sort of people who laugh when you see an average interviewer asking, ‘what do you think of the politicians?’ and they laugh. There’s so much disillusionment."
(Interview with Simon Murgatroyd, 25 February 2020)

"I’m always amazed that people who get rich quick are so boring and you think, what a waste of a life really."
(Interview with Simon Murgatroyd, 25 February 2020)

"I think we are walking around the perimeter of a very deep hole and it only takes one step and we’re going to slip in. One wonders who’s going to slip first. It may be a meteorite is heading towards us any minute and someone hasn’t told someone or thought, ‘oh, I’ll mention it tomorrow…' as he’s got one or two things on his mind and he’s a meteorite denier anyway…." *
(Interview with Simon Murgatroyd, 25 February 2020)

"You watch a streamed play and you might as well be watching television. Although everyone tries to make it feel like theatre, and some people, they watch it on Zoom together, it's not the same… The theatre in the end essentially has to be live. It has to be a moment when I always say to an audience who come on a specific night, this performance is purely for YOU. The excitement and spontaneity of live theatre is like nothing else.”
(BBC Radio 4 Interview, 20 May 2020)

"When I’m writing, I tend to say everything out loud, in character; when directing, I tend to say everything silently, under my breath but, of course, NEVER out loud! Most off-putting that would be for the actors, poor things.”
(Charleshutchpress, 21 May 2020)

“Interestingly, audio and in-the-round stage performance are very similar. People always say with radio plays, that they enjoy them ‘because they ask you to use your imagination’. People say similar things when watching plays in-the-round. The only difference is that audio has no pictures!”
(Charleshutchpress, 21 May 2020)

"All relationships, however resilient they appear, are built on sand. It takes one couple to break up - then everyone is questioning their own relationship.”
(Daily Telegraph, 22 May 2020)

“I’m limited in physical ability - I’m a head that writes plays.”
(Daily Telegraph, 22 May 2020)

“I thank God that I always seem to have another play in me. Somehow there’s always more to say.”
(Daily Telegraph, 22 May 2020)

“Theatre is one of the last places that is going to get back to something like normal. It relies precisely on gathering people in one place. That is what it is. A theatre is an intimate space. If you want to catch a germ, then a small theatre built in the round, like the Stephen Joseph Theatre in Scarborough, the place I’m most associated with, is the perfect place. If you want to have a wonderful theatrical experience, it is a wonderful place for that too, of course.”
(The Observer, 24 May 2020)

“People may have gone back to the theatres quickly after plagues and diseases since the Middle Ages, but they didn’t have Netflix then did they? There was not much else to do."
(The Observer, 24 May 2020)

“I always enjoyed acting, but one thing I didn’t miss when I stopped was having to go into the theatre in the evening. When I wrote my first play I realised I had the evening free. I went round the corner to the pub instead, but then I got a bit worried about how it might all be going and went in.”
(The Observer, 24 May 2020)

"I’ve always loved radio, ever since I joined the BBC in the 1960s. All the other producers and directors went off to play with this new toy they had found called television. I attached myself to a brilliant radio producer called Alfred Bradley and did some really interesting plays with him.”
(Yorkshire Post, 27 May 2020)

“Sonia Friedman (theatre producer) warned this week that we could lose 70 per cent of our theatres if something isn’t done. The SJT has been very sensible in recent years and put a bit of fat on, but I have to wonder, at 81, if I can hold out much hope of being back there."
(Yorkshire Post, 27 May 2020)

“I might have put on my last play for the theatre. No. I can’t even contemplate that.”
(Yorkshire Post, 27 May 2020)

"We need to save theatres and I don’t just mean Drury Lane or the National, but the real theatres, the small companies all over the country that are suffering these terrible blows. We are always going to need live performances with actors and audiences. We must make sure that theatre survives.”
(Yorkshire Post, 27 May 2020)

“When I look back on life, it does feel that I have often arrived at the right place at the right time. I arrived at the BBC when everyone was heading to television so I had the chance to play with radio. I arrived in Scarborough where I got the chance to work with Stephen Joseph and made plays here. Perhaps they’ll look back and say ‘well, if it hadn’t been for lockdown and the virus he might never have written his La Boheme.”
(Yorkshire Post, 27 May 2020)

"The theatres are trying to reinvent themselves, really, and are attempting to raise their voices and say, 'We are still here, we are still here. We can give you something'."
(NPR, 9 June 2020)

"That [the closure of the UK theatres] has left a very big hole in my life. And I'm carrying on writing, because writing is a solitary and selfish craft. But I can't wait to run into a room with my new toy under my arm - my play - and share it with a few people. So, it's a curious time and it will get curiouser."
(NPR, 9 June 2020)

“There’s a school of thought that says that theatre can happen just about anywhere. To an extent, I’ve found that to be true. But for theatre to thrive and be more than merely a series of isolated events, it needs special buildings in which performers and audiences can meet and celebrate the human condition. It is important that big or small, old or new, our theatres survive.”
(2020)

* Of interest, this quote was from an interview just prior to the unforeseen and extraordinary impact the Covid-19 pandemic had on the world.
All research for this page by Simon Murgatroyd and copyright of Haydonning Ltd. Please do not reproduce without permission of the copyright holder.