Ayckbourn Chronology: 2009

Notable Events

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Copyright: Tony Bartholomew

During 2009, Alan Ayckbourn…

stepped down as Artistic Director of the Stephen Joseph Theatre in Scarborough, having held the position since 1972.

received the Olivier Awards Special Award.

was inducted into the American Theater's Hall Of Fame.

celebrated his 70th birthday with the BBC marking the occasion with a season of plays and documentaries on BBC Radio. The plays included new adaptations of Man Of The Moment and A Small Family Business and he is featured in the documentaries With Great Pleasure, The Strand, Front Row and Nightwaves

directed a revival of Man Of The Moment at the Royal & Derngate in Northampton as part of its major retrospective season, Ayckbourn At 70.

saw the Old Vic's acclaimed 2008 production of The Norman Conquests transfer to the Circle In The Square theatre, New York.

saw The Norman Conquests become the first Ayckbourn play to win a Tony Award; it also wins several other major awards.

directed My Wonderful Day at the Stephen Joseph Theatre and at the Brits Off Broadway festival. It is nominated for Outstanding Production and Outstanding Actress (Ayesha Antoine).

directed the London transfer of Woman In Mind, starring Janie Dee; the first time he has directed in the West End since 2002.

saw Sight Unseen by Alan Ayckbourn's Archivist Simon Murgatroyd published.

saw Sir Peter Hall revive Bedroom Farce at the Rose Theatre in London to acclaim.
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Alan Ayckbourn & Heather Stoney at the Olivier Awards.
Copyright: To be confirmed

World Premieres

My Wonderful Day
13 October: Stephen Joseph Theatre

Notable Ayckbourn Productions

Life & Beth (Tour)
31 January: UK tour produced by Stephen Joseph Theatre
Woman In Mind (Revival)
6 February: Vaudeville Theatre, London
Just Between Ourselves (Revival)
22 May: Royal & Derngate, Northampton
How The Other Half Loves (Revival)
9 June: Stephen Joseph Theatre
Private Fears In Public Places (Revival)
22 June: Royal & Derngate, Northampton
Man Of The Moment (Revival)
27 July: Royal & Derngate, Northampton
Absurd Person Singular (Tour)
14 September: UK you produced by Bill Kenwright
Bedroom Farce (Revival)
1 October: Rose Theatre, London
My Wonderful Day (New York premiere)
11 November: 59E59 Theaters, New York

Professional Directing

Woman In Mind
Vaudeville Theatre, London
My Wonderful Day
59E59 Theaters, New York
Man Of The Moment
Royal & Derngate, Northampton
My Wonderful Day *
How The Other Half Loves *
Life & Beth
UK tour

* Stephen Joseph Theatre, Scarborough

Plays In Other Media

Man Of The Moment
Radio: 11 April, BBC Radio 4
A Small Family Business
Radio: 12 April, BBC Radio 3

Awards

The Olivier Awards Special Award
Hall Of Fame For Achievements In American Theatre
Tony Award for Best Revival of a Play
The Norman Conquests
Outer Critics Circle Award For Outstanding Revival
The Norman Conquests
The New York Drama Critics' Circle Special Citation
The Norman Conquests
Drama Desk Award For Outstanding Revival
The Norman Conquests

Quotes

"I don't take anything for granted anymore. My latest stuff does tend to hover around death a bit. Maybe my brush with mortality has something to do with it."
(Time Out, 29 January 2009)

"I never look back too much, really. I’m always running from the first night eager to get on with the new play, partly as protective covering. But, as Michael Bogdanov once said to me, if you keep running they can’t hit you."
(What's On Stage, 5 February 2009)

"I started out as an
actor / writer and, as the flagrant self-publicist that I was, I wrote all the best parts for myself. But the writing improved while the acting didn't. One of those two personas had to go, so I fired the actor."
(Sunday Telegraph, 8 February 2008)

"You mine yourself a lot. I have a sum of human failings. I lie, cheat and dissemble - so most of the characters spring from me. I've used my loved ones quite flagrantly and shamelessly. I remember sitting next to my first wife in one of my plays, and after a scene she said: 'That was a private conversation!'"
(Sunday Telegraph, 8 February 2008)

"Being in the rehearsal room is the most rejuvenating force for me. I thrive on their [actors'] energy like some old emotional vampire, and that brought me round."
(Sunday Telegraph, 8 February 2008)

"I’ve got a terrible mixture of total confidence when attacked, and total lack of confidence when praised. The more people praise me, the more depressed I become, and the more uncertain I get of what my own work is like. And the more people go knocking it, the more confident I become that it’s OK. I’m just cussed, really."
(The Stage, 17 March 2009)

"I treat every play as if it might be my last but every time I finish one, I look around to see if there;'s a sign for another."
(Sunday Express, 22 March 2009)

"The
directing is obviously the gregarious part of the job, when you share the experience with a group of like-minded people - the writing is rather a lonely thing."
(BBC, 30 July 2009)

"For a brand new play I still get very nervous, because that's completely untried. I worry for the actors, it's a bit like sending your platoon over the top and saying: 'I wish I could go with you chaps'. All you can do is sit back in the stalls and wait and watch, which is always very frightening. If you're an actor, at least you have your destiny in your own hands, but if you're a writer it's in their hands."
(BBC, 30 July 2009)

"I would like to carry on writing for as long as I'm able, that's my biggest ambition."
(BBC, 30 July 2009)

"The British in general don't like people who are too prolific. They think it's a bit facile, but there's no reason why you should write slowly. There are some terrible plays that have been written over 10 years and there are some very good ones that have been written over 24 hours. The point is that the play is, for me, a rung on the ladder to the next one. Hopefully what you learn from one play will lead you to the next play. It's a learning curve."
(The Sentinel, 4 September 2009)

"For the future, I’m always wanting to identify ideas I haven’t tried before. New areas that are new to me, that’s all I can do. I can plough a new furrow and I’m quite excited by moving on now."
(Yorkshire Post, 9 October 2009)

"I got a very jaundiced view of men because my mother's views of men were pretty much unprintable and I've been influenced by that ever since. I think female disappointment ran through my blood pretty early in my life and I have to say I prefer women's company en bloc."
(The Press, 16 October 2009)

"I’m only very happy when I’m working. I’ve also been fortunate in having
Stephen Joseph’s encouragement to start with, and then with his very premature death in his forties, the offer of taking it over as director, which gave me a sort of wonderful work space of my own work. And I commissioned myself year after year, and that’s the reason for the prolificness. When the opportunity is there, a writer will take it."
(Time Out, 18 November 2009)
All research for this page by and copyright of Simon Murgatroyd. Please do not reproduce without permission of the copyright holder.