Frequently Asked Questions: The Stephen Joseph Theatre
This page contains FAQs concerning Alan Ayckbourn and his association with the Stephen Joseph Theatre. If there is a question not listed here which you feel should be listed, please contact the website via the Contact Us page.1) When did Alan Ayckbourn become the Artistic Director of the Stephen Joseph Theatre?
2) When did Alan Ayckbourn step down as the Artistic Director of the Stephen Joseph Theatre?
3) What position does Alan Ayckbourn currently hold at the Stephen Joseph Theatre?
4) Is it true Alan Ayckbourn has blocked revivals of his plays at the Stephen Joseph Theatre?
5) What have been Alan Ayckbourn’s roles at the Stephen Joseph Theatre?
6) What is a Director Emeritus?
7) How many of Alan Ayckbourn's full length plays have premiered in Scarborough?
8) Is the Stephen Joseph Theatre obligated to stage Alan Ayckbourn's plays? Is Alan Ayckbourn obligated to premiere his new work at the SJT?
9) Who was Stephen Joseph?
10) Of the plays premiered in Scarborough, which were not premiered in the round?
11) Are Alan Ayckbourn's Scarborough productions - particularly his world premieres - recorded?
12) Is Scarborough considered the try-out for Alan Ayckbourn's plays before they are refined elsewhere?
13) When did Alan Ayckbourn leave Theatre in the Round at the Library Theatre?
14) What was Alan Ayckbourn's position at the Victoria Theatre, Stoke-on-Trent?
15) How long did Alan Ayckbourn work at the BBC?
1) When did Alan Ayckbourn become the Artistic Director of the Stephen Joseph Theatre?
1972. This has often been misquoted as 1970 (or even 1969 or 1971) but the minutes of Scarborough Theatre Trust are quite clear he was asked to become the Director Of Productions for the Theatre in the Round at the Library Theatre in 1972 and later that year was offered the permanent position of Artistic Director of the theatre. The confusion possibly arises as he held the annually appointed seasonal position of Director Of Productions in both 1969 and 1970. For a full discussion of this subject, click here.
2) When did Alan Ayckbourn step down as Artistic Director of the Stephen Joseph Theatre?
Alan Ayckbourn stepped down as Artistic Director of the Stephen Joseph Theatre on 31 March 2009 - although to all intents and purposes, he left the position on 17 January 2009 when the 2008/9 winter season ended.
3) What position does Alan Ayckbourn currently hold at the Stephen Joseph Theatre?
Alan Ayckbourn is currently a guest director and writer at the Stephen Joseph Theatre. He also holds the honorary position of Director Emeritus (see below). When Alan Ayckbourn stepped down as Artistic Director of the company in 2009, he made it clear he wished to make a clean break and would no longer be involved with the administration or running of the company. He is not part of Scarborough Theatre Trust board nor holds any other permanent position at the SJT.
4) Is it true Alan Ayckbourn has blocked revivals of his plays at the Stephen Joseph Theatre?
No, this is a complete fallacy. Alan has never blocked revivals of his work at the Stephen Joseph Theatre. However, he will not allow revivals of plays he has already revived at the Stephen Joseph Theatre since 1996 - essentially anything written pre-1976 - and, understandably, insists that whilst still alive, he be allowed to direct the revivals.
In context, there is potentially upwards of 65 full-length plays written after 1975 he would happily revive and direct. The decision not to stage any revivals of Alan's work is entirely that of the current Stephen Joseph Theatre management. Alan Ayckbourn also has no input in the scheduling or administration of the SJT, so the decision on revivals of his work is not one he has influence over.
Quite where this puts the Stephen Joseph Theatre in the long term in relation to revivals of his work is uncertain. The combination of no revival tradition since 2020, alongside the lack of anyone closely associated with the Stephen Joseph Theatre who has experience directing the playwright's work leaves no obvious answer when the situation does eventually arise.
5) What have been Alan Ayckbourn’s roles at the Stephen Joseph Theatre?
Alan has held a number of roles at the Stephen Joseph Theatre. Further details can be found in the Careers section of the website:
1957 - 1958: Acting Stage Manager (stage manager / actor)
1958 - 1962: Actor
1959 - 1962: Writer in residence (alongside David Campton)
1961 - 2008: Director
1969 - 1970: Director of Productions (voted by Scarborough Theatre Trust each year)
1972 - 2009: Artistic Director
2009 - present: Guest director
2018 - present: Director Emeritus
6) What is a Director Emeritus?
On 20 April 2018, Alan Ayckbourn was appointed Director Emeritus of the Stephen Joseph Theatre. Director Emeritus is an honorary accolade which denotes the perpetual status of an individual who has moved an organisation to new heights. The appointment recognised more than six decades work with the company and Alan's many contributions and achievements.
7) How many of Alan Ayckbourn's full length plays have premiered in Scarborough?
As of summer 2026, 86 of Alan Ayckbourn's 92 plays have premiered in Scarborough at either the Library Theatre, the Stephen Joseph Theatre In The Round or the Stephen Joseph Theatre (or, in the case of Anno Domino (2020), premiered as a stream on the SJT website). The plays which did not receive their premieres in Scarborough are: Christmas V Mastermind (1962) and Mr Whatnot (1963), which premiered at the Victoria Theatre, Stoke-on-Trent; Jeeves (1975), which premiered at Her Majesty's Theatre, London; A Small Family Business (1987), which premiered at the National Theatre, London; All Lies (2022) and Welcome to the Family (2023) which premiered at the Old Laundry Theatre, Bowness-on-Windermere.
8) Is the Stephen Joseph Theatre obligated to stage Alan Ayckbourn's plays? Is Alan Ayckbourn obligated to premiere his new work at the SJT?
No. Between his retirement in 2009 and 2018, the Stephen Joseph Theatre's aims and objectives as a charity included the statement: "To be the home for Alan Ayckbourn's new work and the place where his existing plays are revived as originally intended." This was not a legal requirement or obligation and more of a statement of intent. However, in 2019, this specific commitment to staging Alan's plays as well as any notable reference to the playwright was removed from the aims and objectives; an objective which preserved the theatre's notable legacy of encouraging, developing and being associated with one of the UK's most successful living playwrights.
Alan Ayckbourn himself has always been passionate about theatre-in-the-round in Scarborough. When he retired as Artistic Director of the Stephen Joseph Theatre in 2009, he made a commitment to premiere new plays and direct revivals at the venue for so long as the theatre wished to stage them. There is no doubt both Alan Ayckbourn and the Stephen Joseph Theatre have each benefited from the other over the decades. The theatre has provided the springboard for Alan's writing and the opportunity to have his new work consistently staged, whilst the theatre has benefited financially and in reputation from working with Alan Ayckbourn.
However, objectively, there is no obligation for the theatre to stage Alan Ayckbourn's new plays or revivals nor is there an obligation for the playwright to premiere his plays or even allow them to be produced at the venue. The fact his work is staged is because the situation is deemed, hopefully, to be mutually beneficial to both the Stephen Joseph Theatre and Alan Ayckbourn.
9) Who was Stephen Joseph?
Stephen Joseph was a British theatre pioneer (1921 - 1967) who is the single most influential person in Alan Ayckbourn's life and who encouraged (and commissioned) Alan to both write and direct. He founded both the UK's first professional theatre-in-the-round company at the Library Theatre, Scarborough, in 1955 (of which Alan Ayckbourn became the Artistic Director in 1972) and also the UK's first permanent theatre-in-the-round venue at the Victoria Theatre, Stoke-on-Trent, in 1962. Further details about Stephen Joseph's life and achievements can be found here.
10) Which Ayckbourn plays were not originally produced in-the-round in Scarborough?
Of the plays which have premiered in Scarborough, the following were not originally performed in the round: Confusions (three-sided), Just Between Ourselves (three-sided), Bedroom Farce (three-sided), Things We Do For Love (end-stage), Garden (end-stage) and Virtual Reality (end-stage). Of these only Bedroom Farce, Things We For Love and Virtual Reality are specifically intended for end-stage performance and the rest can - and have been - performed in-the-round or other staging configurations.
11) Are Alan Ayckbourn's Scarborough productions - particularly his world premieres - recorded?
No. Historically Sir Alan has discouraged the recording of live productions of his work as he firmly believes theatre is 'live' and, essentially, transient. He has never been truly convinced filming a play captured anything but a shadow of the original work and did not reflect the live experience. The only exception was, as a result of there Covid 19 pandemics, the world premieres of The Girl Next Door (2021) and Family Album (2022) were recorded and streamed.
12) Is Scarborough considered the try-out for Alan Ayckbourn's plays before they are refined elsewhere?
No. The playwright considers that the Scarborough productions are' the' productions and frequently the definitive productions. He rarely alters the plays after their premiere in Scarborough and frequently cites them as his most memorable productions - produced in-the-round as intended with the ensemble company of his choice. As he wrote in 1991, "I never regard the Scarborough production as a trial run. To my mind, it is the production and, looking back, in some instances, they have been the definitive productions."
13) When did Alan Ayckbourn leave Theatre in the Round at the Library Theatre?
Alan left Theatre in the Round at the Library Theatre, Scarborough, in 1962 to join the Victoria Theatre, Stoke-on-Trent, for its inaugural season. The venue was created by Stephen Joseph, who due to other commitments appointed Peter Cheeseman as Artistic Director. Alan would work closely with Peter and the first year's directing duties were split between the two men. As well as directing, Alan also acted at the venue as well as premiering two of his own plays. In 1964, he left the Victoria Theatre and later joined the BBC as a radio drama producer. He returned to Theatre in there Round at the Library Theatre as Director of Productions for two seasons in 1969 and 1970 (continuing to work at the BBC) before returning permanently to Scarborough in 1972 when he accepted the role of Artistic Director.
14) What was Alan Ayckbourn's position at the Victoria Theatre, Stoke-on-Trent?
Alan Ayckbourn joined the Victoria Theatre for its inaugural season in 1962. Studio Theatre Ltd, previously based in Scarborough, was moved to the new venue and most of the company moved to its new permanent home (the Victoria is regarded as the UK's first professional in-the-round venue with Scarborough having created the first professional in-the-round company as it did not have a specific or permanent base when founded). Peter Cheeseman was appointed Theatre Manager and was responsible for running the building. Alan collaborated closely with Peter and directing duties were split between the two men with Alan also writing and acting at the venue. Although Alan made a significant contribution, there is no evidence to support he had a titled position (other than writer, director or actor). In Alan's biography Grinning At The Edge, the author Paul Allen says Alan was the Associate Director, but this title is not mentioned in programmes or press cuttings from the period and, as Alan notes, he does not recall ever being given that title nor remunerated for such a position! In all likelihood, this was probably how Peter Cheeseman considered Alan's position despite it not being official (alternatively the reference in Grinning At The Edge may have come from Dominic Shellard's book British Theatre Since The War, which also mentions Alan was Associate Director, but without substantiating the statement).
15) How long did Alan Ayckbourn work at the BBC?
Alan joined the BBC in 1965 as a radio drama producer, based in Leeds. He stayed in the job until June 1970. For further details on his career at the BBC, click here.
All research by Simon Murgatroyd. Copyright of Haydonning Ltd.